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Some day I will go to Aarhus

To see his peat-brown head,

The mild pods of his eye-lids,

His pointed skin cap.

Write your Seamus Heaney- Tollund manand reviews research paper

In the flat country near by

Where they dug him out,

His last gruel of winter seeds

Caked in his stomach,

Naked except for

The cap, noose and girdle,

I will stand a long time.

Bridegroom to the goddess,

She tightened her torc on him

And opened her fen,

Those dark juices working

Him to a saints kept body,

Trove of the turfcutters

Honeycombed workings.

Now his stained face

Reposes at Aarhus.


I could risk blasphemy,

Consecrate the cauldron bog

Our holy ground and pray

Him to make germinate

The scattered, ambushed

Flesh of labourers,

Stockinged corpses

Laid out in the farmyards,

Tell-tale skin and teeth

Flecking the sleepers

Of four young brothers, trailed

For miles along the lines.


Something of his sad freedom

As he rode the tumbril

Should come to me, driving,

Saying the names

Tollund, Grauballe, Nebelgard,

Watching the pointing hands

Of country people,

Not knowing their tongue.

Out here in Jutland

In the old man-killing parishes

I will feel lost,

Unhappy and at home.

Reviews (chronological)

John Carey, ‘Lost and Found’, in New Statesman (1 Dec. 165), pp.10; John Carey, ‘Brave New Worlds’, review of Seamus Heaney, The Spirit Level (Faber 16), in Sunday Times, Books (8 April 16), pp.1-; Christopher Ricks, ‘Growing Up’, in New Statesman, 71 (7 May 166), p.778; Marsh [i.e., Ian Hamilton], ‘Props for a Proposition’, in Observer (1 June 166), pp.1; C. B. Cox, ‘The Painter’s Eye’, in Spectator, 16, 715 (0 May 166), p.68; Patricia Beer, ‘Seamus Heaney’s Third Book of Poems’, in Listener, 88, 80 (7 Dec. 17), p.75; Peter Porter, ‘Poets’ places’, in Guardian (0 November 17), pp.1; Stephen Spender, ‘Can Poetry be Reviewed?’, in New York Review of Books, 10, 14 (0 Sept. 17), p.8; John Dunn, Douglas. ‘Moral Dandies’, in Encounter 40 (March 17), pp.70; Ciaran Carson, ‘Escaped from the Massacre?’ Honest Ulsterman, 50 (Winter 175), pp.18-186; Ciaran Carson, ‘Escaped from the Massacre?’, review of Seamus Heaney, North, in Honest Ulsterman, 50 (175), pp.184-85; Anthony Thwaite, ‘Neighbourly Murders’, in The Times Literary Supplement, 8 (1 Aug. 175), pp.866; Terry Eagleton, ‘Recent Poetry’, review of Seamus Heaney, Field Work, in Stand, 1 (180), pp.76-7; Derwent May, ‘Peace in Ireland?’ Listener ( November 17), pp.70-1; Declan Kiberd, ‘Breech birth of a naturalist’, in Sunday Tribune (8 October 184), pp.0; Elizabeth Jennings, ‘The Spell-Binder’, in Spectator, 5, 815 (4 November 184), pp.0-1; Henry Hart, ‘Seamus Heaney’s Poetry of Meditation Door into the Dark’, in Twenty-Century Literature, Vol. 1 (185); Richard Ellmann, ‘Heaney Agonistes’, in New York Review of Books (4 March 185) [q.p.]; John Carey, ‘The Stain of Words’, review of Seamus Heaney, The Haw Lantern, and Paul Muldoon, Meeting the British, in Sunday Times (1 June 187), p.56 [... &c.]; Henry Hart, ‘Poetymologies in Seamus Heaney’s Wintering Out, Twenty-Century Literature, Vol. 5 (18); Bernard O’Donoghue, ‘Weight to the Lighter Scale’, Poetry Review, Vol. 7 (Winter 18-0); Elmer Andrews, long review [of] ‘Seeing Things’, in Linen Hall Review (Winter 11), pp.7-; Seamus Deane, ‘The Politics of the Poetics’, Sunday Tribune (8 Oct. 15); John Bayley, ‘Professing Poetry’ review of Helen Vendler, The Given and the Made Recent American Poets (Faber 15). ‘Soul Says On Recent Poetry; and ‘The Redress of Poetry’, in Times Literary Supplement (0 Oct. 15), pp.-10; Gerald Dawe, ‘Praising the Poet’, Fortnight 44 (Nov. 15); Robert McLiam Wilson, ‘The Glittering Prize, in Fortnight Magazine (Nov. 15); Daniel Johnson, ‘Heaney The Irishman Without Frontiers’, in The Times (6 Oct. 15); Peter Levi, ‘Lover of the upside-down, Peter Levi admires astute account of poetry from Seamus Heaney’, review of The Redress of Poetry, in Sunday Times (10 Oct. 15) [‘Books’, p.11]; Declan Kiberd, ‘Heaney’s Local Pieties with Universal Appeal’, in Sunday Tribune (8 Oct. 15); Kiberd, review of Heaney, trans., Laments by Jan Kochanowski, with

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