Clothing regarded as uniform in "one day in the life of Ivan Denisovich" and A Doll's House"

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Our staff of freelance writers includes over 120 experts proficient in Clothing regarded as uniform in "one day in the life of Ivan Denisovich" and A Doll's House", therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Clothing regarded as uniform in "one day in the life of Ivan Denisovich" and A Doll's House" paper at affordable prices with livepaperhelp.com! In Ibsen's A Doll's House and One Day in the Life of Ivan Denisovich by Alexander Solzhenitsyn, clothing appears to play an important role in enhancing characterization. In One Day in the Life of Ivan Denisovich the labour camp community as a whole have the same dress code, all the characters have a set uniform. Which in turn creates an organized atmosphere. Ibsen's A Doll's House views clothing as a part of ones social status, and as a result conforms to the requirements of their hierarchies. Ibsen uses clothing as temptation in a sexual manner and also as a tool for confinement. Clothing in these two texts can be regarded as uniforms, one in reality (One Day in the Life of Ivan Denisovich), and the other as an effect of social criterion (A Doll's House).

Alexander Solzhenitsyn's description of the clothing worn by the prisoners does not vary to a large extent. The labour camp prisoners have been forced to choose between their valenki (knee length felt boots usually used in the cold winters), or sandals made of motor tyres. "It was against the rules for a prisoner to posses two pairs of footwear at the same time." This was a particularly important decision, as they had to work throughout the winter in these shoes. However the fact remains that all the prisoners faced the same dilemma. Nonetheless the commander decided that two pairs of shoes was a luxury that no convict should posses. Consequently, this goes to show that the prisoners were unable to enjoy luxuries of any kind, and in return were confined to wearing uniform. The attire forced on to the prisoners, which is their uniform, is grey in color, due to the hardships they had to undertake in order to survive the camp. This color also symbolises plain nature of the clothing, and the fact that it does not stand out at all. Shukhov the main character of the story and the other characters were given numbers. For Shukhov the number "S 854". Their number called upon all prisoners. Therefore the number, which was a part of the uniform, too has become, a part of their identity. Throughout the story the prisoners sense of individuality, honour and pride are taken form them.

The fact that they also had to make their own gloves with the shredded rags of previous uniforms. Is further evidence to the fact that these men had no individuality or uniqueness in character, when considering only their clothing? The term "zek's" is used often in the text, which is an abbreviation of prisoner in Russian. The constant use of "zeks" too has replaced the names of the people; they are no longer considered people. This too has become a part of the grotesque dull uniform of the characters in the story.

In "A Doll's House", clothes are an indicator of social class and standing. Clothes are essential to the identification of the different levels in the social hierarchy. For example, Helmer dresses according to the rules and guidelines set forth by the society. His attire alone shows what social class he belongs to. The reader can tell by the way he dresses that he is of substantial wealth. Nora does not follow the social guidelines set forth by her predecessors; she is a total nonconformist. Nora dresses in a very provocative manner that is frowned upon by her peers. The only people that enjoy her taste in clothing are the men. They receive a certain unsaid pleasure from the revealing attire that Nora wears. In one scene of the play Nora uses a black velvet shawl to entice the men into "seducing" her. In this way, the writer uses clothing to give Nora a distinct identity. Ibsen utilizes clothing as a tool for characterization. Nora's defiance of the social guidelines shows her individuality and independence. Ibsen's characterization of Nora, the way in which she has no fear of being an outcast of the community, is proof alone of her independent nature. As long as she feels comfortable in her apparel, the uniforms of her society have no distinct meaning to her. Henceforth, the writer of this play uses clothing to distinctly show the nature of each individual character. For the most part, the protagonists dress according to their respective social classes, but Nora is different. The fact that she dresses without regard to her social guidelines is a tool for characterization in itself. Therefore, Ibsen uses clothing to describe the uniqueness, or lack thereof, of each character.

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These two works of literature have one distinct similarity. Both writers use clothing to characterize their protagonists. However, they use clothing to different ends. Solzhenitsyn uses clothing to unify the characters and strip them of individuality. The prisoners are clothed in drab grey clothing, and are only allowed a single pair of boots. They are not even recognized by their names, but rather by their respective group numbers. Even the fact that each convict does not have a personal number adds to the dehumanisation of all the prisoners. Ibsen uses clothing in the same manner and in a completely different one simultaneously. On the one hand, he depicts most of the characters as uniformed because they correspond to the rules of their society. Their attire portrays their social standing and amount of wealth. However, Ibsen also uses Nora's clothing to single her out from the crowd. By making her a nonconformist in numerous ways, he succeeds in underlining her individuality. Therefore, the essential difference between these two writers is very slim. Both Ibsen and Solzhenitsyn basically use clothing to unify a certain group of people and negate their distinctiveness. However, Ibsen also uses clothing to single out a certain protagonist.

In conclusion, both texts exhibit a certain technique. Clothing defines the nature of the characters in the text. In Solzhenitsyn's work, the characters are unified; this is a direct contrast to Ibsen, where the main character pries herself loose from the constraints of society. Therefore, when considering both sides of the spectrum, unification and independence, they can be intertwined by the dramatic and pictorial use of clothing. It is often due to preconceived ideas of the society that the protagonists live in. Nonetheless, the characters are not always accepted by their choice in clothing. In the case of the convicts, they are given no choice but to conform to the authorities. In Nora's case she does not conform, and that leaves her an outcast.

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